{"id":95,"date":"2023-12-21T10:15:26","date_gmt":"2023-12-21T10:15:26","guid":{"rendered":"http:\/\/serkangeduk.com\/?p=95"},"modified":"2023-12-21T10:15:27","modified_gmt":"2023-12-21T10:15:27","slug":"kocaelideki-osmanli-mirasi-kasr-i-humayun-sarayi","status":"publish","type":"post","link":"https:\/\/serkangeduk.com\/index.php\/2023\/12\/21\/kocaelideki-osmanli-mirasi-kasr-i-humayun-sarayi\/","title":{"rendered":"Kocaeli&#8217;deki Osmanl\u0131 miras\u0131 Kasr-\u0131 H\u00fcmayun Saray\u0131"},"content":{"rendered":"\n<p><strong><a href=\"https:\/\/www.aa.com.tr\/tr\/yasam\/kocaelideki-osmanli-mirasi-kasr-i-humayun-sarayi-ihtisamiyla-yillara-meydan-okuyor\/2110818\">ANADOLU AJANSI<\/a><\/strong><\/p>\n\n\n\n<p>Kocaeli&#8217;de Sultan Abd\u00fclaziz d\u00f6neminde son halini alan ve Atat\u00fcrk&#8217;\u00fcn gazetecilerle bir araya gelerek cumhuriyet fikrini payla\u015ft\u0131\u011f\u0131 \u200b\u200b\u200b\u200b\u200b\u200b\u200byer olarak da bilinen Kasr-\u0131 H\u00fcmayun Saray\u0131, ihti\u015fam\u0131yla y\u0131llara meydan okuyor.<\/p>\n\n\n\n<p>Deprem ve yang\u0131n gibi bir\u00e7ok badire atlatarak bug\u00fcne ula\u015fan saray yap\u0131s\u0131, Osmanl\u0131 padi\u015fahlar\u0131na hizmet vermesinin yan\u0131 s\u0131ra B\u00fcy\u00fck \u00d6nder Mustafa Kemal Atat\u00fcrk ve Frans\u0131z yazar Claude Farrere gibi tarihi isimleri a\u011f\u0131rlamas\u0131yla biliniyor.<\/p>\n\n\n\n<p>Kocaeli M\u00fcze M\u00fcd\u00fcr\u00fc Serkan Ged\u00fck, AA muhabirine, &#8220;K\u00fc\u00e7\u00fck Saray&#8221;, &#8220;Av Kasr\u0131&#8221; ve &#8220;H\u00fcnkar K\u00f6\u015fk\u00fc&#8221; olarak da bilinen&nbsp;<strong>Kasr-\u0131 H\u00fcmayun<\/strong>&#8216;un, \u0130stanbul d\u0131\u015f\u0131ndaki tek saray yap\u0131s\u0131 oldu\u011funu s\u00f6yledi.<\/p>\n\n\n\n<p>Saray m\u00fczenin tarihi hakk\u0131nda bilgi veren Ged\u00fck, yap\u0131n\u0131n ilk olarak 4. Murat d\u00f6neminde ah\u015fap olarak in\u015fa edildi\u011fini ancak deprem ve yang\u0131n gibi afetler sonucunda tekrar yap\u0131ld\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n\n\n\n<p>Ged\u00fck, son halini Sultan Abd\u00fclaziz d\u00f6neminde alan yap\u0131n\u0131n mimar\u0131n\u0131n Garabet Amira Balyan oldu\u011funu dile getirerek, &#8220;Yap\u0131, 19. y\u00fczy\u0131l Bat\u0131l\u0131la\u015fma d\u00f6nemi sivil mimarl\u0131k \u00f6rneklerinin tipik \u00f6zelli\u011fini yans\u0131tmaktad\u0131r. Mimari s\u00fcslemesinde d\u00f6nemin barok ve ampir \u00fcsluplar\u0131n\u0131n etkisi a\u00e7\u0131k \u015fekilde hissedilmektedir.&#8221; diye konu\u015ftu.<\/p>\n\n\n\n<p>Yap\u0131da, i\u00e7 s\u00fcslemeleriyle de\u011ferlendirdi\u011finde eklektik bir \u00fcslubun s\u00f6z konusu oldu\u011funa dikkati \u00e7eken Ged\u00fck, \u015f\u00f6yle devam etti:<\/p>\n\n\n\n<p>&#8220;Kasr-\u0131 H\u00fcmayun, bir\u00e7ok kaynakta 2 katl\u0131 kagir bina olarak ge\u00e7se de k\u00fc\u00e7\u00fck bir bodrum kat\u0131 da mevcut olup dikd\u00f6rtgen planl\u0131d\u0131r. Yap\u0131n\u0131n g\u00fcney cephesinde giri\u015f aks\u0131 ortada vurgulanm\u0131\u015ft\u0131r. \u0130ki katl\u0131, giri\u015f cephesi mermer kapl\u0131d\u0131r. Zemin kat ve \u00fcst kat ortalar\u0131nda yuvarlak madalyonlarla hareketlendirilmi\u015ftir. Bat\u0131 cephesinin g\u00f6r\u00fcn\u00fcm\u00fc ise daha sadedir. Yap\u0131n\u0131n pencereleri ince uzun formda d\u00fczenlenmi\u015f olup, i\u00e7 mekan\u0131n ayd\u0131nlat\u0131lmas\u0131n\u0131 yeterli derecede sa\u011flamaktad\u0131r.&#8221;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">&#8220;\u0130\u00e7 s\u00fcslemelerini yapan Bezirciyan ba\u015far\u0131s\u0131ndan dolay\u0131 saray nakka\u015f\u0131 oldu&#8221;<\/h3>\n\n\n\n<p>Yap\u0131n\u0131n i\u00e7 s\u00fcslemesini 1858 y\u0131l\u0131nda yapan Sepon Bezirciyan&#8217;\u0131n, g\u00f6sterdi\u011fi ba\u015far\u0131dan dolay\u0131 saray nakka\u015f\u0131 oldu\u011funu anlatan Ged\u00fck, &#8220;Bezirciyan&#8217;\u0131n ad\u0131 Dolmabah\u00e7e Saray\u0131&#8217;n\u0131n i\u00e7 dekorasyonunu yapan sanat\u00e7\u0131lar aras\u0131nda da ge\u00e7mektedir. Yap\u0131n\u0131n bezemelerinin onar\u0131m ge\u00e7irdi\u011fi ve tavan s\u00fcslemelerinin Frans\u0131z ressam Sasson taraf\u0131ndan s\u0131va \u00fczerine ya\u011fl\u0131boya olarak yap\u0131ld\u0131\u011f\u0131 da belirtilmektedir.&#8221; dedi.<\/p>\n\n\n\n<p>Yap\u0131n\u0131n tavan\u0131ndaki fig\u00fcrlerde T\u00fcrk bayra\u011f\u0131, g\u00fcc\u00fc sembolize eden sava\u015f aletleri, dengeyi temsil eden terazi, m\u00fczik aletleri ile Sultan Abd\u00fclaziz&#8217;in tu\u011fras\u0131na da yer verildi\u011fini belirten Ged\u00fck, bunun d\u0131\u015f\u0131nda s\u00fcslemelerde genellikle k\u0131vr\u0131k dal motifleri, Rumi, \u00e7i\u00e7ek, meyve, manzara, nat\u00fcrmort ve hayvan tasvirli kompozisyonlar\u0131n kullan\u0131ld\u0131\u011f\u0131n\u0131 kaydetti.<\/p>\n\n\n\n<p>Ged\u00fck, yap\u0131n\u0131n 1967&#8217;ye kadar Vilayet ve Ziraat Odas\u0131, bu tarihten sonra \u0130zmit M\u00fczesi, 16 Ocak 2007&#8217;den beri de saray m\u00fcze olarak hizmet verdi\u011fini ifade etti.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">&#8220;Atat\u00fcrk burada gazetecilerle toplant\u0131 ger\u00e7ekle\u015ftirdi&#8221;<\/h3>\n\n\n\n<p>Kasr-\u0131 H\u00fcmayun&#8217;un \u00f6nemli bir toplant\u0131ya da ev sahipli\u011fi yapt\u0131\u011f\u0131na i\u015faret eden Ged\u00fck, \u015f\u00f6yle konu\u015ftu:<\/p>\n\n\n\n<p>&#8220;Kurtulu\u015f Sava\u015f\u0131 kazan\u0131lm\u0131\u015f fakat hen\u00fcz cumhuriyet ilan edilmemi\u015fti. Gazi Mustafa Kemal Atat\u00fcrk, Kasr-\u0131 H\u00fcmayun&#8217;da 16 Ocak 1923&#8217;te gazetecilerle bir toplant\u0131 ger\u00e7ekle\u015ftirdi. Toplant\u0131 saat 21.30&#8217;da ba\u015flay\u0131p sabaha kadar s\u00fcrd\u00fc. Toplant\u0131ya, Kurtulu\u015f Sava\u015f\u0131 boyunca yaz\u0131lar\u0131yla, yapt\u0131klar\u0131 haberlerle Milli M\u00fccadele&#8217;ye b\u00fcy\u00fck katk\u0131lar sunan gazeteci ve yazarlar\u0131 davet etti, onlar\u0131n fikirlerini ald\u0131 ve 29 Ekim&#8217;de ilan edilecek cumhuriyet rejimi fikrinin halkla bulu\u015fmas\u0131n\u0131 sa\u011flad\u0131.&#8221;<\/p>\n\n\n\n<p>Ged\u00fck, bu toplant\u0131n\u0131n Erzurum ve Sivas kongreleri kadar \u00f6nemli oldu\u011funu vurgulayarak, &#8220;Kongrelerde Milli M\u00fccadele&#8217;ye ili\u015fkin kararlar al\u0131nm\u0131\u015f, \u0130zmit toplant\u0131s\u0131nda ise T\u00fcrkiye&#8217;nin yeni rotas\u0131 \u00e7izilmi\u015f ve cumhuriyetin temelleri at\u0131lm\u0131\u015ft\u0131r.&#8221; dedi.<\/p>\n\n\n\n<p>Haber: \u015eahin Oktay &#8211; Foto\u011fraf: Tahir Turan Ero\u011flu \/ AA<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANADOLU AJANSI Kocaeli&#8217;de Sultan Abd\u00fclaziz d\u00f6neminde son halini alan ve Atat\u00fcrk&#8217;\u00fcn gazetecilerle bir araya gelerek cumhuriyet fikrini payla\u015ft\u0131\u011f\u0131 \u200b\u200b\u200b\u200b\u200b\u200b\u200byer olarak da bilinen Kasr-\u0131 H\u00fcmayun Saray\u0131, ihti\u015fam\u0131yla y\u0131llara meydan okuyor. Deprem ve yang\u0131n gibi bir\u00e7ok badire atlatarak bug\u00fcne ula\u015fan saray yap\u0131s\u0131, Osmanl\u0131 padi\u015fahlar\u0131na hizmet vermesinin yan\u0131 s\u0131ra B\u00fcy\u00fck \u00d6nder Mustafa Kemal Atat\u00fcrk ve Frans\u0131z yazar Claude &hellip; <\/p>\n","protected":false},"author":1,"featured_media":96,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-95","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basin","latest_post"],"_links":{"self":[{"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/posts\/95","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/comments?post=95"}],"version-history":[{"count":1,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/posts\/95\/revisions"}],"predecessor-version":[{"id":97,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/posts\/95\/revisions\/97"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/media\/96"}],"wp:attachment":[{"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/media?parent=95"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/categories?post=95"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/serkangeduk.com\/index.php\/wp-json\/wp\/v2\/tags?post=95"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}